An archival photograph of my great-grandfather Herman, projected onto an ancient Hornbeam Tree.
An archival photograph of my great-aunt Erna, projected onto an ancient Yew Tree.
An archival photograph of a distant cousin Marion, projected onto an old Ash Tree.
An archival photograph of my grandmother Hilda, as a young woman, projected onto an old Beech Tree.
An archival photograph of my grandfather Paul, as a young man, projected onto a very old Oak Tree.
An archival photograph of my grandfather Paul, as a young man, projected onto a very old Oak Tree.
An archival photograph of my mother Sheila, as an old woman, projected onto an old Hazel Tree.
An archival photograph of my father Gerald, as a young man, projected onto an old Hazel Tree.
An archival photograph of my great-grandmother Annie, projected onto an ancient Beech Tree
An archival photograph of my great-uncle Erich, projected onto an ancient Yew Tree.
An archival photograph of my great-grandmother Sarah projected onto a Veteran Beech Tree.
An archival photograph of my great-great-grandmother Mary-Ann, projected onto a Veteran Sweet Chestnut Tree.
These are single-exposure images. What you see in the photographs existed in front of the camera for a short period of time at dusk.
Trees hold a unique place in the human psyche, associated with mythology and mysticism going back thousands of years. There are deeply ingrained culture ideas of spirits or ancestors living in trees, and being in woodland evokes feelings of the past and the future.
Responding to these feelings, I projected archival photographs of my ancestors onto trees. The trees were found in the Southeast of England and selected for the power and energy they conveyed. These trees were mature when my ancestors were born and live long after they died. A human life is a fleeting memory in the life of a tree.
This work aims to reintegrate humans back into nature. Long ago, we were part of nature but, for centuries, we have kept ourselves separate from it.